![]() It was his only studio album with the label. Records and released the album Ten during December 2006. In late 2005, McKnight signed with Warner Bros. Warner Brothers: Ten and media/radio gigs (2005–2014) In 2004, McKnight co-wrote the song "Wait" with Australian soul artist Guy Sebastian, which appeared on Sebastian's Beautiful Life album. Additionally, Back at One is one of four of McKnight's studio albums to reach the Top 10 on the Billboard 200 albums chart, reaching number 7 on October 9, 1999. In 1999, McKnight released Back at One, his most successful album to date, which eventually went on to sell over three million copies. He appeared in multiple episodes, as Tia and Tamera's college professor. In 1998, McKnight was a guest star on the show Sister Sister. McKnight signed with Motown in 1998 and released a Christmas album, Bethlehem, the first of five albums he released on Motown. Motown Records: Bethlehem and Back at One (1998–2004) After the release of his self-titled debut album, McKnight was part of the group Black Men United alongside Gerald Levert, his labemate Joe, Christopher Williams, Boyz II Men and others, featured on the soundtrack to the film Jason's Lyric, released in late 1994. In 1997, McKnight recorded "Remember the Magic" for Walt Disney World's 25th anniversary. The video for "Anytime", directed by Darren Grant, was nominated for Best Male Video at the 1998 MTV Video Music Awards. Anytime, McKnight's final album with Mercury, sold over two million copies and was nominated for a Grammy. It was followed by two more albums for Mercury, I Remember You (1995) and Anytime (1997). The album also featured the ballad, and Top 20 single, " One Last Cry". His first release was " The Way Love Goes", which peaked at number 11 on the Billboard Top R&B/Hip-Hop Albums chart. His self-titled debut album Brian McKnight was released in 1992, and peaked at number 58 on the Billboard 200 chart. This encouraged McKnight to shop his own demo tapes and by the age of 19, he signed his first recording deal with Mercury Records subsidiary, Wing Records. McKnight III (and his band Take 6), signed a record deal with Warner Brothers subsidary Reprise Records in 1987,Releasing their self-titled debut in the Spring of 1988. Career Mercury Records: Brian McKnight and Anytime (1990–1997) By the age of 18, he was offered a publishing deal. McKnight formed a band and began performing his original songs at local venues. McKnight explored different genres of music, and in his early teens, he started musical ambitions by composing instrumental material while learning to play several instruments. His music experience began in childhood when he became a member of his church choir, which was directed by his grandfather. McKnight was born in Buffalo, New York to Claude McKnight, Jr. ![]() His work has earned him 16 Grammy Awards nominations, third only to Zubin Mehta and Snoop Dogg for the record of most Grammy nominations without a win. McKnight is known for his songs from albums such as Brian McKnight (platinum debut), Anytime and Back at One. He is most recognized for his strong head voice, high belting range and melisma. (Updates with JGB yields in second and fifth paragraphs.Brian Kelly McKnight (born June 5, 1969) is an American singer, songwriter, actor, record producer, radio host and multi-instrumentalist. His successor Ueda has said the benefits of monetary stimulus outweigh its side effects. The BOJ left its negative interest rate and its cap on government debt yields untouched Friday at Haruhiko Kuroda’s final meeting as the central bank’s chief. Japan’s 10-year yield fell 10 basis points to 0.295% on Monday. BOJ pivot bets also gained momentum as global rates climbed, forcing the Japanese central bank to buy notes, which in turn made the market dysfunctional. Speculation of faster US rate hikes is waning and even a “25-basis-point hike by the Fed may ease the pressure on Japanese rates,” he said.Įxpectations for the BOJ to scrap its yield-curve-control policy had gathered steam after the surprise BOJ move in December. “Japanese rates have climbed due to pressure from global rates despite no possibility of BOJ normalizing its policy anytime soon,” said Takeshi Minami, Tokyo-based chief economist at Norinchukin Research Institute. The move came in the wake of a slide in US yields after the collapse of Silicon Valley Bank tempered hawkish Federal Reserve rate-hike bets, and may ease pressure on the BOJ to abandon its yield curve control program. Yield on Japan’s benchmark 10-year government note dropped below 0.3% for the first time since the BOJ unexpectedly doubled the yield cap to 0.5% on Dec. (Bloomberg) - The pain in the US banking sector may turn out to be a blessing for incoming Bank of Japan Governor Kazuo Ueda.
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